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About Myself
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About Amadora
After, I’m skippin’ back to the ship, lighter in the wallet but floatin’—so happy I could cry! Surprised me how chill she was, like she’s seen a thousand mes. Exaggeratin’ a tad, maybe she’s the queen of the docks, ruler of all prossies! In my head, I’m plannin’—next port, I’m findin’ her again. “The Social Network” vibes hit hard—“I’m CEO, b*tch!”—‘cept I’m just a sailor with a boner and a dream. HA-HA-HA! Moral? Ports got perks, doll—find a prostitute, live a little!
II. Between the Sea and the Savanna, 1500–1700
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But then, outta nowhere, the fire alarm went off. Panic mode activated! Everyone was scrambling. I thought, “Great, just what I need.” We all spilled out onto the street, and I ended up chatting with this cool guy named Miguel. He was super chill, and we bonded over our mutual dislike for fire drills.
PEDRO DE AZAMBUJA’S DOUBLE FAULTS
© Joao MorgadoThis construction started out as challenge to materialize concepts and investigation developed within CEAAD 2012/2013, all related with expanded cork agglomerate. These concepts are: the possibility to span vaults with cork alone, a compound translucent cork material, and a system for radiation and acoustic optimization. All these concepts ought to be shown within the pavillion in a symbiotic relation formalized by the continuous and metamorphic shape. . © Joao MorgadoCork characteristics were a main driving force to the space conception. The floor and walls are smooth and soft, and the smell is very particular. Inside the space one has the feeling of being inside another environment, such is the effect of changing light, sound, smell and touch. The grass in the exterior - showing the possibility of using cork on living roofs - creates a symbiosis of living plants and cork bark. .Azambuja Sexual Massage
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